Textos de Rogério Santos, com reflexões e atualidade sobre indústrias culturais (imprensa, rádio, televisão, internet, cinema, videojogos, música, livros, centros comerciais) e criativas (museus, exposições, teatro, espetáculos).
"The history of media convergence, especially of convergent television, is a field that needs to be further investigated. Media convergence is often considered a taken-for-granted phenomenon, a kind of ‘irresistible’ force that has changed and is continuously changing media ecosystems. Furthermore, it seems to be mainly an American phenomenon because it has involved US politics and companies and because the most relevant reflections and publications on this topic come from American scholars. This issue of VIEW tries to deal with this complex and polysemic concept from different points of view, adopting several theoretical and methodological frameworks. It attempts to counteract some of the aforementioned taken-for-granted ideas, analyzing TV convergence from a historical and long-term perspective, considering symmetrical case studies of success and failures, concentrating on the European dimension through the lens of transnational, comparative, and national contributions" (http://viewjournal.eu/index.php/view/issue/view/6/showToc).